ALA

ART PRIZE 2021

1st edition

The first edition of ALA Art Prize is addressed to visual artists working in Campania who are invited to present an unpublished art project, with no technical constraints but compatible with the spaces of ALA headquarters and in line with the values of awareness, leadership and anticipation that have always distinguished the Company.

1st prize
Mariangela Levita

Scientific Committee

Lorenzo Benedetti

Eugenio Viola

Alessia Volpe

MARIANGELA LEVITA

UP

2021
acrylic on canvas
310 x 227 cm

UP is the title of the work that the artist Mariangela Levita conceived for the first edition of ALA Art Prize. Thirty-four square canvases, a perfect shape already present in architecture, write the word “UP” on the wall opposite the monumental staircase of the Mediterranean Theatre.

With its shiny colours and essential geometry, the artwork pushes the boundary between the real world and the world of representation propagating into space.
Its thickness integrates anatomically into the wall without attacking it, but establishing a connection with it and inviting the viewer to observe the work from different perspectives. According to Levita, the connection to architecture has always been one of the founding moments of her research. These traces are also present in 2021 ALA Art Prize’s awarded work: through line, shape and colour, UP aims – conceptually and formally – at bridging the gap between historical architecture and pictorial visual language, rendering a new vision of space.

Levita’s UP translates a message of restart into a language midway between painting and installation, inviting to keep up one’s gaze and spirits.
In such a hard time in history, immersed as we are in a huge amount of information, in a never-ending and dissonant flow of voices, opinions and data, UP stands as a foothold, a syllable of lightness, an invitation to joy.

SCIENTIFIC COMMITTEE X

MARIANGELA LEVITA

Over the last 25 years, Mariangela Levita has undertaken a consistent and solitary path into the status of the pictorial medium, she has probed its constituent elements deeply, pushing to the ultimate search for the very roots of perception. Her meta-pictorial investigation is the expression of an “expanded” conception of painting that challenges the boundaries between the space of representation and the surrounding environment.

UP (2021) is an emblematic work of Levita’s aesthetic strategy, where the image is freed from belonging to a specific place, time or medium to spill over in space, in the off-stage, in the off-frame, always and in any case beyond the frame, in the name of a visual synthesis whose rhythmic composition- devoted to the dialogue of colors as a whole- modifies the grammar and pragmatics of vision to such an extent as to transform the gaze into a sort of listening mode.

In 2004 a group of American paleontologists discovered inside a rock the bony remains of a hybrid of fish and alligator, Tiktaalik roseae, one of the proofs that the origin of our life on Earth would be nothing else than the result of an adaptation process.
380 million years ago man just rose and walked, and ran, and flew.
Mariangela’s work invites us to do that once more, to raise our gaze, abstracting it from everyday life, sending a message of hope and urgency.
If the world is drowning and we are going to turn into fish again soon, let’s try once more to go high.

Mariangela Levita was born in Aversa in 1972, lives and works between Naples and London. Since 2021 she has opened a studio house in the historic center of Aversa. Levita focuses her attention on the textual organization of the aesthetic operation, with the clear intention of creating a context in which to generate an alphabet of the image: line, matter, color, non-color, light.
Through a site-specific design, moving from canvas to architecture and from installation to video, she creates an empathic relationship with the public and stimulates visual perception without following a figurative logic, much less narrative.
Her alphabet of signs combines elements that are only apparently opposed: ancient forms are translated into contemporary patterns. The artist has exhibited in numerous museums and galleries in Italy and abroad and has realized several permanent public works.